Arts
Women Still Fighting for Screen Time
February 24, 2010 7:48 AM
A study of the 100 top-grossing films of 2007 by the USC Annenberg School for Communication & Journalism found that females continue to be a large minority both on the screen and behind the camera. However, when women are decision-makers behind the scenes, the number of female characters in a film increases.
The research, led by communication professor Stacy L. Smith and her team, showed that 29.9 percent of the 4,379 speaking characters identified in the films were female, while 83 percent of all directors, writers and producers were male.
Smith said Hollywood has been male-dominated for decades, and the recent data show not much has changed. The top 100 films were based on cumulative box-office revenue as compiled by Nielsen EDI Film Source.
“Our findings show a representational roadblock for females in film,” Smith said. “They do not occupy ‘half of the cinematic sky’ — far from it. There is a dearth of females working in the movie industry no matter which way you look at the data.”
The study showed the number of female actors grows when women have influential roles in the production of a movie as writers, directors and producers.
Smith said the most powerful way to increase the number of female actors may be to increase the number of women who direct or co-direct movies. The number of female actors in movies with at least one female director rose from 29.3 percent to 44.6 percent when compared to movies with only a male director. She said those findings should be interpreted with caution because only three of the top 100 films in 2007 had a female director. However, a previous study by Smith and her research team on Academy Award-nominated films from 1977 to 2006 in the best picture category showed similar results.
“The encouraging finding from this report is that women behind the scenes matter,” Smith said. “The presence of women in these important gate-keeping positions was associated with increases in the number of girls or women on screen. We suspected this would be the case and the data confirmed our expectations.”
Movies with one or more female screenwriters had 34.9 percent female actors (compared to 28.1 percent with only male writers), while movies produced by one or more females had 30.8 percent female actors (26.4 percent with only male producers).
This year-long study was the first in an annual series funded by USC Annenberg to study race and gender in film.
“We’ve made it a priority at USC Annenberg to examine issues related to diversity,” USC Annenberg Dean Ernest J. Wilson III said. “It is vital for researchers such as professor Smith to demonstrate through data what key industries are or aren’t doing well. This study illustrates the impact communication scholarship can have on issues of social importance. Our hope is that an open dialogue about lack of diversity in cinema will lead to a positive shift in the status quo.”
Geena Davis, founder of the Geena Davis Institute on Gender in Media, said: “These important findings provide valuable insights that we will utilize as we continue to engage content creators to improve gender representation and portrayals.”
Added Smith: “Future research should explore women’s experiences in film — both on-screen and behind the camera — as well as the relationship between the gender of studio executives and portrayals of character gender in cinematic content.”
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USC in the News
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The Chronicle of Higher Education mentioned USC’s $6 billion fundraising campaign. The story noted that USC had already raised $1 billion in a “quiet phase,” including the $200 million naming gift from USC Trustee and alumnus David Dornsife and wife Dana Dornsife to the USC Dornsife College.
The Guardian (U.K.) highlighted two major gifts to USC in a list of the 10 biggest philanthropic benefactors in America. The list included the $200 million naming gift from USC Trustee and alumnus David Dornsife and wife Dana Dornsife to the USC Dornsife College, and the $110 million gift from USC Trustee and USC Viterbi School alumnus John Mork and wife Julie to create the USC Mork Family Scholars Program.
The New York Times featured the USC U.S.-China Institute documentary “Assignment: China — The Week that Changed the World.” The documentary, part of a series, examines media coverage of the 1972 Nixon trip that reshaped U.S.-China relations after a quarter century of isolation and hostility. “People look back now and take it for granted that the outcome was preordained,” said the institute’s Mike Chinoy, who produced the documentary. Voice of America also featured the story.
Los Angeles Times featured the Oscar Senti-meter, a tool developed by the USC Annenberg School, Los Angeles Times and IBM that analyzes thousands of tweets about the Academy Awards nominees. The story noted that Mexican actor Demian Bechir received an enormous boost on Twitter the day of the nominations, with a total of 6,893 tweets mentioning him, a 47-fold increase from the day before. The story noted the tool uses language-recognition technology developed in collaboration with USC Viterbi School’s Signal Analysis and Interpretation Lab.
The Times of India (India) featured a three-day medical emergency training workshop organized in association with USC. At the workshop, held at GCS Medical College in India, 50 doctors and more than 100 paramedics learned how to improve emergency support systems. William Mallon of the Keck School of USC said that discussion topics included the use of portable ultrasonic devices to scan patients. “The ultrasound applications help physicians make accurate and timely decisions,” he noted. Daily News & Analysis (India) also featured the workshop.
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